photo by Laurie Kwasnik

THE CLUTTERTONES

Lina Allemano (trumpet)
Ryan Driver (human voice, analogue synthesizer)
Tim Posgate (banjo, guitar)
Rob Clutton (bass, composition)

The Cluttertones trade in a sort of weirdness and beauty you’re very unlikely to have encountered before—even if you’re familiar with its constituents’ back catalogues.” - Nick Storring

— Musicworks

Ordinary Joy

The Cluttertones

HPR #30

The Cluttertones are:

Lina Allemano - trumpet

Ryan Driver - analogue synth, voice, piano

Tim Posgate - banjo, guitar

Rob Clutton - bass

All compositions by Rob Clutton.

Lion and Ant is dedicated to the memory of Helen Carmichael Porter.

Recorded January 2014 at Arrayspace, in Toronto.

Recorded mixed and mastered by Fedge

Visual
HPR #30

The Cluttertones are:

Lina Allemano - trumpet

Ryan Driver - analogue synth, voice, piano

Tim Posgate - banjo, guitar

Rob Clutton - bass

All compositions by Rob Clutton.

Lion and Ant is dedicated to the memory of Helen Carmichael Porter.

Recorded January 2014 at Arrayspace, in Toronto.

Recorded mixed and mastered by Fedge

Visual art by M. Randi Helmers: (Labyrinth Rose)

Layout by Vic Cheong

Thanks to Randi Helmers, Victoria Cheong, Wolfgang Nessel, Brodie West, Anthony Michelli, Dawne Carleton, Eric Chenaux, Scott Thomson, and The Ontario Arts Council.

We would like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario.
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    Enero 6:19
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    Marzo 3:08
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    Bison 8:00
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    Ing 5:53
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Clutter is personal.” - Dawne Carleton

— Liner notes, Leeways

At times, identities seem to pass from one instrument to another, Allemano’s trumpet functioning as percussion while Clutton’s bowed bass soars into the cello register, the banjo assuming a kind of unlikely nobility while the synthesizer resembles a hurdy-gurdy. As songs match up with instrumental abstractions, the Cluttertones happily provide a forum for Clutton’s highly personal musical visions, combining improbable materials into textures and sequences with dreamlike qualities.” - Stuart Broomer

Musicworks

The Cluttertones' Ordinary Joy is my first favourite album of 2015. Presenting "otherworldly chamber music" under the guidance of composer/bassist Rob Clutton, you're just not going to hear music like this anywhere else. Ryan Driver's analogue synth and Lina Allemano's trumpet work in a soundscape-evoking way you might also hear in the latter's Titanium Riot, but alongside Tim Posgate's banjo and guitar they're shaped into evocative miniatures, very much in the well-known spirit of wortlosegutesgefühlauseinemfensteraneinemkaltentag — that wordless feeling of warmth evoked by looking out a window on a cold day. Kudos for Healing Power for issuing this — it's at a bit of a right angle to their core "sound", but they're willing to make the effort for an album that I know they, too, are really excited about.” - Joe Strutt

Mechanical Forest Sound, January 2015

“Rob Clutton’s Cluttertones are one of Toronto’s most compelling bands, pulling together threads from the city’s jazz, traditional folk, and contemporary chamber music scenes. Underlying the band’s deceptively complex exterior are simple, memorable melodies that reveal Clutton’s interest in the traditional vernacular songs of the African and European folk who found themselves in North America. Composed of four musicians who have played together in many different combinations in the Toronto scene over the decades, the Cluttertones' music reflects both the musicians' familiarity with each other and a commitment to exploring Clutton’s quiet, patient compositions. These compositions call for something beyond individual virtuosity, as the  listener hears a singular, collectively-developed language where melody, angular chords, singing, and acoustic and electronic timbres co-exist in the same sonic space. Put another way, The Cluttertones play songs, in the very traditional sense of the word. The magic of the band comes from how those songs are creatively obscured by seemingly-unrelated sounds, and the fun in listening comes from following the threads of the songs through a largely improvised open world of sonic textures. This is a band of improvisers, not necessarily an improvising band, in the contemporary sense of the term.  Clutton’s music is based simultaneously on the distinct individual voices of the band members and on a deeply personal set of musical priorities that are his alone. In Tim Posgate, Ryan Driver, and Lina Allemano, Clutton has found players whose musical breadth match his own, yet who also understand the creative potential of plugging themselves into someone else’s song-stream. There are many ways to listen to and to hear The Cluttertones, for their music sounds at once like a comfortable conversation between old friends and a continual reaching for something new to talk about. For the listener, there is more than ordinary joy in feeling like you know what you are going to get with The Cluttertones, but still being surprised when you get it.” - Pete Johnston